14 years ago
Friday 18 December 2009
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
Blog Archive
-
▼
2009
(28)
-
▼
December
(27)
- Jamiroquai - Virtual Insanity
- Jason Bruges Studio
- Flux Binary Waves, LAB[AU]
- Projection Experiments
- Adelaide Festival: Northern Lights, North Terrace ...
- Sophie Calle: Talking to Strangers, Whitechapel Ga...
- Los Angeles Plays Itself, Thom Andersen, 2003
- Tate Modern: Oil Tank Projections, Expanded Cinema
- Gianni Colombo
- Felice Varini
- Lenticular Images
- Encountering In Motion: Studio
- Encountering In Motion: Train Journey Introductory...
- Train Journey | Clapham Junction-Waterloo-Clapham ...
- Movement | Stillness Models
- Movement | Stillness
- Walking, Section 3: Between One and Another, Chapt...
- How It Is, Miroslaw Balka, Visited 28th October 2009
- Interactive Movement Model
- The Eyes of the Skin: Architecture and the Senses,...
- Emporio Armani Hong Kong 2002, Massimiliano & Dori...
- Anish Kapoor Exhibition, Royal Academy of Arts, Vi...
- Reference 5 (Installation): Hive by Anish Kapoor
- Reference 4 (Painting): Exposed Painting: Cadmium ...
- Reference 3 (Architecture): Armani 5th Avenue by M...
- Reference 2 (Extract): Rebecca by Daphne du Maurier
- Reference 1 (Film): Beyond Words
-
▼
December
(27)
About Me
- Charlotte Greenleaf
- I am currently at Chelsea College of Art and Design, studying for a Masters in Interior and Spatial Design. Prior to this I gained my Bachelor of Architecture with Honours (RIBA/ARB Part1) at the University of Nottingham, and then went on to work for Johnson Pilton Walker Architects in Sydney for 1 year.
-
Lines - *Confine* Acrylic 50 x 50 *Conceal* Acrylic 120 x 60 cm *Conflict* Acrylic 100 x 40 cm *Converge* Acrylic 76 x 60 cm
Many thanks to the AHRC for their support throughout my masters.
No comments:
Post a Comment